French digital artist exploring artificial intelligence, personal data and network aesthetics through a critical and playful approach, inheriting the spirit of Dada. Her works question our relationship with surveillance technologies and data accumulation by GAFAM, by hijacking these tools with humor and impertinence.
She has been practicing so-called digital art since 1998 and particularly uses the Internet as a material for creation and exploration.
These works question, as much critically as playfully, the major players of the internet such as Google, Twitter or Facebook and the new world that surrounds us. She attempts in her research and created pieces to reveal the invisible or the poetry of digital things.
She cultivates simple, minimal forms, sometimes appearing "cobbled together", but she remains voluntarily far from the hyper-technicality of certain digital devices.
With her seemingly hands-off approach, Albertine leads us on a playfully, impertinently and drolly poetic journey.
Emblematic work revealing the complete inventory of the artist's Google searches, questioning surveillance and intimacy in the digital age.
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Discover the entire artistic production of Albertine Meunier, from 2002 to 2025.
in machine-readable format.
Creative method combining critical analysis of surveillance technologies, AI creation technologies and playful hijacking of digital tools. The artist notably appropriates her own data to create works that reveal the hidden mechanisms of personal information collection.
Inheriting the spirit of Dada, the artist adopts a critical and playful posture towards digital technologies, transforming digital constraint into a space of creative freedom and social questioning.